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Lieder und Gesänge IV, Op. 96 - Nachtlied

Sound Tracks. Recital instrumental. Recital vocal. Embalaje para transporte. Limpiadores y cepillos. Estuches protectores para vinilos.

Letra de Iestyn Davies & Joseph Middleton - Lieder und Gesänge, Book 4, Op. 96: No. 1, Nachtlied

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A recital of celebrated Goethe poems set to music

Gedichte 6 , Op. Romances and Ballades iv, Op. Frauenliebe und Leben, Op. Gedichte 7 , Op.

Bernarda Fink we know as a superb interpreter of Baroque works. Here she proves conclusively that she can be just as compelling in German song.

That is in itself almost enough to recommend the disc. But Fink has so much more to offer. The recording has the singer blessedly forward so one catches the true flavour of her voice and words. Most of the selections are concerned with various themes of love, from the famous cycle Frauenliebe und -leben and the Op. Although the quality varies from some of Schumann's finer efforts--the first and the last three songs of Op. Fink's voice, which is never pushed or otherwise carelessly used, delivers a whole range of emotions, from deeply felt passion for a loved one, to pain and grief, to sheer delight.

Underneath these expressions is an edge to the voice that suggests a singer who's experienced the hurt, the ache, the exhilaration of love herself. The sound agreeably complements the voice but the piano could use more fullness in the bass and just a little more sparkle in the upper registers. She projects a sense of regal composure and a maturity that's not so much chronological as spiritual; you just have the sense that this is a very centered individual.

Those qualities, along with her interpretive sensitivity, make this a truly memorable version of Frauenliebe und -leben. Fink is fully convincing in the progression from the love-struck girl to the young bride to the grieving widow not so much through vocal coloring -- she wisely doesn't attempt to "age" her voice -- but through more subtle interpretive choices, such as varying the emotional temperature of the songs through the intensity she brings to each one.

SCHUBERT Goethe-Lieder / Fischer-Dieskau - 1 CD / Download - Buy Now

She is consistently fine throughout the cycle, exploiting its emotional profundity, but the first and last songs are especially effective and moving. Roger Vignoles is a sensitive and self-effacing accompanist. The recital includes anther complete cycle, the Lenau Lieder, Op. Fink brings the same gorgeous sound and interpretive depth to the whole recital, making this a CD that should be of strong interest to any lieder fans. Harmonia Mundi's sound is a little on the shallow side, but after an initial period of adjustment, its lack of a stronger presence becomes less obvious or bothersome.

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Goethe-Lieder (Arr. C. Brandt for Voice & Guitar)

Pre-orders will be despatched as close as possible to the release date. Mendelssohn, Felix. Purcell, Henry. Quilter, Roger. Schumann, Robert. Error on this page?

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Let us know here. Need more information on this product? Click here. Contents Works Mendelssohn, Felix Duets 3 , op. Works Mendelssohn, Felix Duets 3 , op. Carolyn Sampson and Iestyn Davies have collaborated on many occasions in the field of Baroque opera and oratorio, but on this occasion they venture into a somewhat different territory. In the company of Joseph Middleton , they have been exploring the Lieder for one and two voices of Mendelssohn and Schumann , combining them with songs and duets by Roger Quilter. Carolyn Sampson and Iestyn Davies are two of the brightest stars in today's British musical firmament.

Though best known for their activities in the Baroque repertoire, their musical talents are wide-reaching and they have frequently worked together.