Manual Stephen Spenders The Temple as an autobiographical novel

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Kathleen McMillan. A Little Book of Language. David Crystal. Howard Mittelmark. I would have preferred the original draft from Spender rewrote it in for the first publication, moving the date up to to bring in the Nazis. Thus we can't determine what were Spender's original impressions of Germany at the time, or what were added fifty-plus years later.

His "journalistic" record from would be far more interesting and valuable—just as Isherwood's have become. None of this is to pan the book—the writing is at times quite fine—but it's incomplete and altered from the unavailable original, probably to conserve his own carefully protected reputation and to add the benefit of historical hindsight.

Recommendation: Isherwood's Goodbye to Berlin also included in The Berlin Stories definitely should be read before this book for a far better fictionalized treatment of wonderfully liberal Weimar Germany.

The Worlds of Stephen Spender

For a nonfiction account, Isherwood again delivers it in Christopher and His Kind. May 26, Adam rated it it was amazing. A strange time between WWI and WWII, almost prophetic of friends and lovers that would be forced to become enemies just 10 years later. Wonderful poetry and literary references, as well, to bridge symbolism of the abstract with the reality of this time.

The back-story of Stephen Spender's writing of this piece and his relationship with W.

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Auden and Christopher Isherwood are also worth researching. Mar 30, Ewan Davis rated it really liked it. In many ways, its not particular original, and is very much like the Berlin novels of Isherwood, quite heavily overlapping at times, and featuring a character based on Isherwood himself.

I think I should be bored of these kinds of early 20th century upper middle class Oxford-via-Continental-Europe-centric voyages of self-discovery? But I finished the whole novel, so I think perhaps I am not. This novel does stand apart from its similar counterparts because of its retrospective insight, being partially rewritten and completed in the 80s, and therefore having a knowingness about the looming war.

That is not to say Spender does not have the power to write in this way, but simply because of the rewriting and the date of publication we cannot know whether it was really there originally. Sex, importantly, comes before politics. And it is a complex sex being featured, which is always the best sex. But also importantly, a disgust that moves us all along onto our next conquest, just as biology and the species needs us to.

Interestingly one of the most striking images of the book is of a pregnant woman, stood on a balcony, silently surrounded by the embers of a bonfire, lit by a group of men one of to whom she is married all quietly falling in love-hate with each other. Another important aspect of the book, which again relates to both the politics and the sex, is the rejection of labels. Well, certain labels, and identity politics. Communists, Nazis, all are mocked. I think this is something characteristic of the Weimar Republic, and something we could all learn from today.

Perhaps what makes me most happy about this book is reading it in the knowledge that, much like Auden, although in a more severe manner, Spender failed his Oxford degree. View 1 comment. Nov 10, Mark Hiser rated it really liked it Shelves: classics-literary , bio-autobio-autobio-novel , lgbtq.

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It is also the story of repression, censorship, sexual freedom, and its related political dissent. In , while conducting research in the rare books section of the Humanities Center at the University of Texas, the poet, John Fuller, discovered the manuscript of The Temple and soon told Spender of his find. Spender had sold the manuscript to the university in when he was having financial problems and needed money.

Spender contacted the library and received a Xerox copy of the manuscript he had begun writing when he was years old. Before finally publishing the novel in , Spender decided to make only minor changes to preserve the youthful vigor of the original. The biggest change was to move the date of his second visit to Germany from to , thus allowing us to better feel the coming of the Nazis, even though Spender and his friends seem politically unaware of the evil soon to enter the world.

The autobiographical novel opens with Paul Schoner Spender , a young college student, finding himself falling in love with Marston, a fellow male student.


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Though the relationship goes nowhere and does not even become a friendship, Paul makes other friends in Simon Wilmot W. Auden and William Bradshaw Christopher Isherwood. While commiserating with his friends, Simon asks Paul if he is a virgin. England, however, like most other European countries, still criminalized homosexuality. Some days later, Paul meets a student from Germany, Ernst Stockmann. When Ernst invites Paul to come to Germany for a visit, he accepts.

For them, drink; for us, sex. Is that the Weimer Republic?

Questions?

Perhaps, after all Germany has been through, we Germans are tired. After the War and years of starvation, perhaps we need to swim and to lie in the sun and make love in order to recharge our lives…We want our lives to replace those who became corpses. Spender is not the novelist his friend, Christopher Isherwood was, especially with his Berlin Stories. The plot lacks cohesion, the writing is sometimes stilted and uneven and feels as though written by a year old writing his first novel as is the case!

Though he does not excel as a novelist, Sir Stephen Spender knighted in was an important modern poet and critic of the early-mid 2th century. He is perhaps known best for his anti-fascist, social justice oriented poems from the 30s. His poems tend to be more personal as they express the speakers views about the external world. In the 40s, he gained a reputation for his critical essays. Though Stephen Spender has largely faded from the eyes of the public, The Temple can still speak to us about cultural differences, youthfulness, love, enjoyment of the body, freedom, and the evil that can destroy it all.

Started this on a whim this past weekend, hoping to continue traveling throughout Europe in the 's after re-reading "The Sun Also Rises" on Thanksgiving. Mostly an autobiographical, especially the first part, of Stephen Spender's as Paul S. He meets interesting, artistic characters while at Oxford and in Hamburg. Also, Paul has his first homosexual and heterosexual experiences within hours of each other. The Started this on a whim this past weekend, hoping to continue traveling throughout Europe in the 's after re-reading "The Sun Also Rises" on Thanksgiving.

Alle boeken van auteur Nina Jungmann ()

The second part was the intriguing portion of the narrative, when Paul revisits Hamburg and calls upon his friends three years later on the eve of the Nazi takeover of Germany. It is remarkable how the German backdrop of The Temple much later seem to fit so well with my interest in Berlin, German, and Prussian history. Or did it actually stem from this novel? Who will know?

Alle boeken van schrijver Nina Jungmann (1-10)

Dec 26, Mark rated it it was amazing Shelves: book-club. The thing that most sticks out in my mind from this book was the observation that we often fall in love with who we want a person to be instead of who they really are. Questo libro ha un merito. To get the free app, enter your mobile phone number. Essay from the year in the subject English Language and Literature Studies - Literature, printed single-sided, grade: 2,0, University of Trier, language: English, abstract: In the author John Fuller had discovered a manuscript of Stephen Spender 's novel which was called The Temple and was dated Spender originally wrote this novel in the late s in order to tell his life during Would you like to tell us about a lower price?


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